If a movie wants to be qualified, it may need to pay attention to many external things, such as the image of the actors, the script, the costumestornado python, props, photography, and the director's narrative ability. However, for the more concise art - drama, a successful drama often shows the ability of the performers. An excellent actor is good at bringing the audience into his own fictional world, which includes but is not limited to the lines and delicate performances. Excellent actors naturally have a kind of attraction, attracting the audience to quickly enter the world of the play and cannot extricate themselves. Just like the film "After the Rehearsal" recommended to you today.
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"After the Rehearsal" is a work of the famous director Bergman in his later years. This film changed the subtle influence of religion in his previous works and focused on letting the actors themselves play their own role. As a low-cost work with extremely simple performance space, Bergman brought several actors in this film to present a feast for the audience.
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The story is simple. An actress who is about to end her acting career and a young actress face a director who can decide whether they can stay. After the performance, they tried their best to help themselves get a seat as an actor, but the director did not cooperate. Who will win? This film lays out this suspense in the art of language.
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If a drama actor cannot make progress in the lines, then his performance will generally fail, because there is no time for everyone to recite the lines with you in the drama. Although this film is a movie, from the perspective of layout, it is more like a combination of a movie and a stage play. The movie emphasizes the audio-visual languagetornado python, while for this film, the perfect interpretation lies in a few shots and the actors' own lines. This does not mean that the actors have a deeper understanding of the lines, but that they can bring out the simple lines to greater effect and let the audience follow their own thoughts. This is a major feature of this film.
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The director and the young actress were in a steady state from the beginning. The steady state here is that after the performance, the two people chatted casually. However, when the young actress began to approach the director with a purpose, this steady state ended. After the topic was gradually introduced to the director, the two people began to stand closer, and the actress's topic continued to deepen. At this time, we see that the director is getting closer and closer to her. However, the story did not develop in an endless direction. When the director approached to a certain extent, he began to turn from defense to offense.
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So, the story of this film developed towards the second act. The director successfully shifted the topic of the actress to the actress's mother through his language skills. So, the film continued its previous rhythm. The actress began to step into a new balance. Under this balance, the director began to take the initiative. When he came slowly, we saw that the actress went from active to passive, from calm to terrified. At this time, the spatial narrative of this film is more exciting.
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The director successfully pulled the actress into his own story, so what we see is that the actress herself turned into a little girl when facing the director's story. The original aggressiveness gradually turned into fear. Here the director successfully replaced his position with the actress, and at this momenttornado python, the director became more and more calm.
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The camera turned again, and after the director slowly walked out of his own narrative, the actress faced, or what was left was loneliness. Originally, she thought that she could tempt the director more to achieve her goal. However, this one-sided temptation was like child's play for a seasoned director. The goal could not be achieved, and the story naturally ended. The struggle for power has no end.
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The film is about a shift in power, or the transfer of contradictions. First, we see the conflict between the actress and the director. She wants to use her charm to change the director's attitude towards her. This seduction is more about doubting the director's position. Because of doubt, she can win the game. Because of doubt, the actress is very confident in her seduction. As the plot develops, she sees the director getting closer and closer to her. At this time, it seems that everything is moving towards victory. However, an accident comes unexpectedly, which is beyond the actress's expectations.
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The director, who seemed to be seduced, began to become the protagonist of the whole story. At this time, the actress did not realize that the conflict had been transferred. It was originally a conflict between her and the director, but now it has successfully become a conflict between her and her mother. The director seems silent, but he is actually the one who controls everything.
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What the actress didn't expect was that a man who seemed to be in his twilight years was still in control of the whole situation. Her previous seduction was just a joke. The power did not shift in the middle of such a flow. It was still firmly in the hands of the director.
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For the audience, it is natural to smile knowingly when they see Bergman's unconventional stories in his twilight years. For Bergman, perhaps he can be the director of this film. Although he is in his twilight years, his creative ability has not faded at all. This may be a manifestation of himself.
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